Martin Garrix (Feat. Khalid) – Ocean
Martin Garrix (Feat. Khalid) – Ocean
On this day in music history: June 18, 1996 – “Odelay”, the fifth studio album by Beck is released. Produced by Beck Hansen, The Dust Brothers, Mario Caldato, Jr, Brian Paulson, Tom Rothrock and Rob Schnapf, it is recorded at PCP Labs and G-Son Studios in Los Angeles, CA, The Shop, Sunset Sound and Conway Studios in Hollywood, CA and Sun Studios in Memphis, TN, from March 1994 – February 1996. Beck initially begins recording with Tom Rothrock and Rob Schnapf in early 1994, intending it to be more acoustic based than the previous album. He ends up scrapping much of the work recorded during those sessions, starting over with The Dust Brothers. The albums title is pun on the phrase “Oh Delay”, with Beck making a subtle, self-effacing statement on how long it had taken to record the album. It spins off five singles including “Where It’s At” and “Devil’s Haircut”. The album becomes Hansen’s most successful and acclaimed album, winning two Grammy Awards including Best Alternative Music Album and Best Male Rock Vocal Performance for the single “Where It’s At” in 1997. It is remastered and reissued in 2008 as a double CD Deluxe Edition, with the first disc featuring the original fourteen song album plus three additional bonus tracks. Disc two includes sixteen bonus tracks including remixes and non album B-sides. The album is also reissued as a lavish quadruple LP set pressed on 180 gram vinyl, and limited to 3,000 copies. “Odelay” peaks at number sixteen on the Billboard Top 200, and is certified 2x Platinum in the US by the RIAA.
On this day in music history: June 18, 1996 – “Secrets”, the second album by Toni Braxton is released. Produced by Babyface, Antonio “L.A.” Reid, R. Kelly, David Foster, Tony Rich, Soulshock & Karlin and Keith Crouch it is recorded at Bosstown Recording Studios, Studio LaCoCo in Atlanta, GA, Ocean Way Recording in Hollywood, CA, The Record Plant in Los Angeles, CA, and The Tracken Place in Beverly Hills, CA from October 1995 – May 1996. The follow up to Braxton’s self-titled debut equals the success of her first effort, cementing her status as one of the premier female vocalists of the era. Featuring tracks produced by Babyface and David Foster, the album spins off four hits including the #1 singles “You’re Makin’ Me High” (1 week on the Hot 100, 2 weeks on the R&B singles chart (non-consecutive) and “Un-Break My Heart” (11 weeks on the Hot 100 and #2 R&B). “Secrets” is Braxton’s most successful album, selling over eight million copies in the US alone, winning two Grammy Awards including Best Female Pop Vocal Performance and Best Female R&B Vocal Performance in 1997. The album is remastered and reissued as a two disc expanded edition by Funky Town Grooves Records in 2016. The first disc features the original thirteen song album with six additional bonus tracks including remixes and single edits. The second disc features twelve more bonus tracks with similar material. “Secrets” peaks at number two on the Billboard Top 200, spending one week at number one on the R&B album chart, and is certified 8x Platinum in the US by the RIAA.
Born on this day: June 18, 1961 – Singer and songwriter Alison Moyet (born Geneviève Alison Jane Moyet in Billericay, Essex, UK). Happy 57th Birthday, “Alf”!!
On this day in music history: June 18, 1988 – “Together Forever” by Rick Astley hits #1 on the Billboard Hot 100 for 1 week, also topping the Club Play chart for 1 week on May 28, 1988. Written and produced by Stock, Aitken & Waterman, it is the second US chart topper for the singer from Newton-le-Willows, Lancashire, UK. Following the UK release and subsequent chart topping success of Rick Astley’s debut single “Never Gonna Give You Up”, the production and songwriting team of Mike Stock, Matt Aitken and Pete Waterman, conceive the idea of writing another song in a similar vein to “Give You Up”. Using much of the same song structure and chord changes as its predecessor, “Together Forever” comes together quickly. The track is recorded at Stock Aitken & Waterman’s PWL Studios in London in the Summer of 1987, with Astley recording his vocals shortly after. In the UK, it is released as the third single from “Whenever You Need Somebody” in February of 1988. However, Rick narrowly missed the top of the UK singles chart, stopping at #2. Ironically, he is denied a second trip to the top by singer and actress Kylie Minogue’s debut single “I Should Be So Lucky”, which is also written and produced by SAW. In the US, the timing proves to be just right, with “Together Forever” being issued as the follow up to “Never Gonna Give You Up” in early April of 1988. Entering the Hot 100 at #62 on April 16, 1988, it climbs to the top of the chart nine weeks later. Also a smash on club dance floors, “Forever” also reaches the top of the US club play chart. The single helps drive the “Whenever You Need Somebody” album past the 2x Platinum mark in the US.
On this day in music history: June 18, 1984 – “Camouflage”, the thirteenth studio album by Rod Stewart is released. Produced by Michael Omartian, it is recorded at Lion Share Studios in Los Angeles, CA from Late Winter – Early Spring 1984. Following the critically maligned “Body Wishes”, the album returns the veteran rocker to commercial prominence in the US. Sporting a slick, pop oriented sound, it spins off three singles including the top 10 hits “Infatuation” (#6 Pop) and “Some Guys Have All The Luck” (#10 Pop). The video for the first single “Infatuation” (featuring Stewart’s friend and former band mate Jeff Beck on lead guitar, also making a cameo appearance in the video) is directed by Jonathan Kaplan (“The Accused”, “Truck Turner”). The film noir styled black & white clip features actress Kay Lenz and veteran character actor Mike Mazurki (the old man). At the time of the singles run on the charts, there are two versions of the clip that are shown, each with an alternate ending. “Camouflage” peaks at number eighteen on the Billboard Top 200 and is certified Gold in the US by the RIAA.
On this day in music history: June 18, 1977 – “Dreams” by Fleetwood Mac hits #1 on the Billboard Hot 100 for 1 week. Written by Stevie Nicks, it is lone chart topper for the Anglo/American rock band led by drummer Mick Fleetwood. During the sessions for “Rumours” album, Stevie Nicks finds herself with time on her hands while her band mates are recording overdubs in one of the other rooms. She takes an electric piano with her into the room built for musician Sly Stone at The Record Plant in Sausalito, CA, and begins playing around with some chords. Nicks writes “Dreams” in about ten minutes, later showing it to Lindsey Buckingham who assists her in arranging the song’s final structure. The band record it the following day, with the basic track being cut while Nicks sings her vocal live. Though only the lead vocal and drum are all that are used from that initial session on the finished record. The other instruments are re-recorded and additional vocals are overdubbed in Los Angeles at later sessions. Released as the follow up to “Go Your Own Way” (#10 Pop) on March 24, 1977, “Dreams” quickly becomes a smash. Entering the Hot 100 at #77 on April 16, 1977, it climbs to the top of the chart nine weeks later. It is later covered by The Corrs in 1998 for the Fleetwood Mac tribute album “Legacy: A Tribute to Fleetwood Mac’s Rumours”, to commemorate the twentieth anniversary of the original albums’ release. In 2005, Stevie Nicks sings on a cover version of “Dreams” recorded by the electronica dance duo Deep Dish. “Dreams” is certified Gold in the US by the RIAA.
Born on this day: June 18, 1942 – Pop music icon Sir Paul McCartney (born James Paul McCartney in Liverpool, UK). Happy 76th Birthday, Paul!
On this day in music history: June 18, 1966 – “Hold On, I’m Comin’” by Sam & Dave hits #1 on the Billboard R&B singles chart for 1 week, also peaking at #21 on the Hot 100 on the same date. Written and produced by Isaac Hayes and David Porter, it is the first chart topping single for the dynamic R&B duo. The song’s title is inspired while working in the studio one day. Isaac Hayes yells at his songwriting partner David Porter to hurry up and come out of the bathroom, and Porter responds with “hold on, I’m comin’”! After hearing Porter utter the phrase, Hayes immediately thinks that it would make a good song title and they get right to work. The pair sit down at the piano and write the song in about five minutes. Recorded at Stax Studios in Memphis, TN, the track features Booker T. & The MG’s providing instrumental support. At first, the duo are not fond of the song, feeling that the title and lyrics are too “corny and hillbilly”. Sam Moore can be heard laughing out loud when Dave Prater sings the lyric “I’m on my way, your lover, if you get cold yeah, I will be your cover”, on the finished record. Released as a single in March of 1966, “Hold On, I’m Comin’” quickly rises up the charts, becoming their first R&B number one and first top 40 pop hit. The song is covered numerous times over the years with Sam & Dave’s original version featured in the films “The Blues Brothers” and “American Gangster”.
On this day in music history: June 17, 1987 – “Everlasting”, the eleventh studio album (twelfth overall) by Natalie Cole is released. Produced by Reggie Calloway, Vincent Calloway, Jerry Knight, Aaron Zigman, Dennis Lambert, Burt Bacharach, Carole Bayer Sager, Marcus Miller, Eddie Cole, Andy Goldmark and Bruce Roberts, it is recorded at Larrabee Sound Studios, Studio 55, Encore Studios, One On One Studios, Oh Henry Studios, Yamaha Studios in Los Angeles, CA, Soundcastle Studio Center, Image Recording Studios, Ocean Way Studios, Lion Share Studios in Hollywood, CA, Conway Recording Studios in North Hollywood, CA, House Of Music in West Orange, NJ, Messina Music, 39th Street Music in New York City and 5th Floor Recording in Cincinnati, OH from Late 1986 – Mid 1987. Finally overcoming a years long addiction to drugs by the mid 80’s, Natalie Cole begins to rebuild her career in earnest. Though that is an uphill climb as Cole’s record sales have declined steadily since the turn of the decade. Wary of her reputation during the height of her substance abuse problems, many record labels are unwilling to sign her. However, Cole finds ardent supporters in music executives Gerry Griffith and Bruce Lundvall, at EMI imprint Manhattan Records. Looking to engineer a comeback for Natalie, they pair the singer with a host of top producers including Midnight Star members Reggie and Vincent Calloway, Dennis Lambert, Marcus Miller, and Burt Bacharach and Carole Bayer Sager. Titled “Everlasting”, the first single is the up tempo groover “Jump Start” (#2 R&B, #13 Pop, #28 Club Play), written and produced by the Calloway brothers. It is an out of the box smash, sending out the word that Cole was back in a major way. The follow up is a cover of the Bruce Springsteen rocker “Pink Cadillac” (#9 R&B, #5 Pop, #1 Club Play). Produced by veteran pop and R&B producer Dennis Lambert, it is given an effervescent and funky dance pop reinvention. It’s an even bigger hit, and Natalie Cole’s first top ten pop hit since “Our Love” in 1978. Also given a hot house flavored remix by Robert Clivilles and David Cole (aka C+C Music Factory), “Cadillac” also becomes a huge club hit, topping the Billboard dance chart. The album spins off two more singles including the ballad “I Live For Your Love” (#4 R&B, #13 Pop, #2 AC). and a cover of “When I Fall In Love” (#31 R&B, #95 Pop, #14 AC), originally made famous by her father Nat King Cole. “Everlasting” successfully re-starts Natalie Cole’s recording career, earning her first Gold album in nearly a decade. It begins one of the greatest “second acts” in music history, hitting its peak with the album “Unforgettable… With Love” in 1991. “Everlasting” peaks at number eight on the Billboard R&B album chart, number forty two on the Top 200, and is certified Gold in the US by the RIAA.